Honestly, I never believed much in film schools, I always thought that idea was enough to make a video developed into a screenplay right, supported by concrete visions directing that link led to a pre-programmed. I still believe that to really know what it means to create the fiction is necessary to get involved, from pure ignorant but just Puri: build the equipment, teach yourself to use a professional camera, buy a tripod, a steady-cam, involve friends relatives and acquaintances for any kind of artistic or technical help, to organize the locations, learning from friends already in the professional photography and video in all useful knowledge in order to turn to night and day, in a supermarket before opening time, always run up to the physical exhaustion. This was my path so far.
I've always had a passion for writing and cinematic storytelling that brought me over the past three years to produce six screenplays for short films. I love Fellini, Godard, Bergman, Hitchcock, O. Wells, Pasolini, Kubrick and Tarantino, but I'd like to make a different film. How to style are similar to French cinema and David Lynch, Jason Reitman, Martin Scorsese, and Danny Boyle. I like the monologues in voice over narration, with descriptive images, sequences, in a very rhythmic style and amazing in every single moment, close dialogue and crude images, without the use of special effects.
Like inventing every day thinking and build everything on paper and then upset in front of the monitor. I really like is an understatement.
d.
